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Game Review: Band Frontman Jason Williamson Assumes Character in Critical Look at 90s Rave Culture

Helmed by Bristol sound co-founder the musician-producer, this sharp-edged if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Vibe

Just a single important plot development, but it leads to a comically executed chaotic run on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

Game is in British and Irish theaters from November 17.

The writer

Frederick Miller

AI researcher and tech writer passionate about demystifying complex innovations for a broader audience.

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